Large Hadron Collider physicists have heard the voice of the “god particle,” the Higgs boson, and it sounds a bit like a child’s music box.

Lily Asquith, a physicist searching for the Higgs boson–the elementary particle believed to give everything in the universe mass–is using more than her eyes. With artists and other physicists, she started the LHCsound project to hear subatomic particles.

New Scientist reports that the idea arose from a conversation between Asquith and percussionist Eddie Real:

“I was actually doing impersonations of different particles and trying to get him to develop them on his electronic drum kit.”

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Perhaps you’ve wished, while paging through a heavy textbook on evolutionary biology, that learning the subject could be a little more like an Eminem concert? If so, rush over to a New York theater where the rapper Baba Brinkman is ready to fill your brain with his one-man show, “The Rap Guide to Evolution.”

The project began when Brinkman got a call from evolutionary biologist Mark Pallen, who asked him to compose a rap in honor of Charles Darwin’s 200th birthday. Says Brinkman: “All winter I sent him copies of my rap lyrics, and he came back with corrections, which means my hip-hop show is peer reviewed.”

Here’s a segment of his show:

Olivia Judson, who praised the show in The New York Times, says she suspects this is “the only hip-hop show to talk of mitochondria, genetic drift, sexual selection or memes.” She continues:

[Brinkman] is a man on a mission to spread the word about evolution — how it works, what it means for our view of the world, and why it is something to be celebrated rather than feared.

Brinkman is performing his show through Saturday, May 8th at the Bleeker Street Theatre in New York City. If you can’t make it to the show, head to DISCOVER‘s Bad Astronomy blog for another sample of his fine work–featuring remixed Richard Dawkins.

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Online piracy has plagued the music and movie industry for years, with copyright infringement causing millions of dollars in loss each year. So when the U.S. Intellectual Property Enforcement Coordinator (the copyright czar) asked the entertainment industry to submit proposals to the government for ways to protect intellectual property, the industry came out all guns blazing.

The Motion Picture Association of America (MPAA) and the Recording Industry Association of America (RIAA) came out with a set of proposals (pdf) that would combat piracy by invading the privacy of consumers and putting the federal government to work for the entertainment industry.

For example, the trade groups suggest that spyware could be installed on home computers across the land. This special software would identify and block content that violates fair use, block certain keywords that might lead to sites with illegally obtained content, and monitor social networks for the promotion of infringing Web sites.

The industry also wants border authorities to educate everyone entering the United States about piracy issues, suggesting that customs forms should be amended to require the disclosure of pirate or counterfeit items being brought into the United States. The Electronic Frontier Foundation reports:

Does that iPod in your hand luggage contain copies of songs extracted from friends’ CDs? Is your computer storing movies ripped from DVD (handy for conserving battery life on long trips)? Was that book you bought overseas “licensed” for use in the United States? These are the kinds of questions the industry would like you to answer on your customs form when you cross borders or return home from abroad.

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It’s rainy and drab outside and the only thing making us feel better is watching videos in which Applegirl shows off her amazing abilities with the iPhone. This YouTube sensation performs hit songs using a collection of apps on several different iPhones. Yesterday it was a three-phone version of Beyonce’s “Irreplaceable,” and today she’s taken a stab at Lady Gaga’s “Pokerface” using four phones.

She seems to use a mix of looping drum beat apps, guitar chord apps, and, for Pokerface, the T-Pain autotune app for that modern vocal sound. Here’s a look at both videos. However, here’s a heads up–Applegirl doesn’t get into the swing of things with Irreplaceable till 1:34 into the video and the cat making the rounds in Poker Face is very distracting.

Enjoy.

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Research published yesterday in the online edition of the journal Proceedings of the National Academy of Sciences suggests babies are born to boogie.

Researchers exposed 120 infants to a variety of music and recorded their reactions on video, using 3D motion capture technology. The parents holding their infants were given headphones to wear so they wouldn’t influence the babies’ behaviors by, say, tapping toes or bopping to the beat.

The results showed that infants react with rhythmic movement to music more than they do to speech, and that infants do indeed have rhythm (as the tempo was accelerated, the babies’ movements quickened). Finally, the researchers found that the better the rhythm, the happier the jammin’ baby; the better the babies were able to synch their movements with the music, the more they smiled.

Wrote the researchers:

The findings are suggestive of a predisposition for rhythmic movement in response to music and other metrically regular sounds.

Something this baby’s been trying to tell us for more than a year now:

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Video: CGElliott09

You’ve probably seen a Rube Goldberg machine in a science museum sometime, and watched with amusement while balls rolled down tracks or balloons inflated, triggering other mechanical events in a complicated chain reaction. But we guarantee you’ve never seen a Rube Goldberg machine quite like this.

When the rock band OK Go, justly famous for its treadmill dancing video, decided to make a new music video for its song “This Too Shall Pass,” the rockers tapped the artsy engineers at Syyn Labs to do something really special. The result was this 4-minute Rube Goldberg machine that plays part of the song, synchronizes with the beat, and involves the band members getting very messy. It runs the length of a two-story warehouse, and the action was filmed in a single shot. With no further ado, we give you: The mother of all Rube Goldberg machines.

Update: Check out the newest OK Go video, which warps time in many amusing ways. It also features a charismatic goose.

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Video: OK Go / Synn Labs

While we know what it looks like when a star explodes into a luminous supernova, here’s a chance to discover what one sounds like–sorta. Scientists have translates a supernova’s electromagnetic waves into waves of sound; and when there is sound, there is music. Enter the Grateful Dead.

The band’s famed percussionist Mickey Hart is working on a musical project to “sonify” the universe–taking sounds collected by scientists from supernovae and other astronomical phenomena and using them in his new album “Rhythms of the Universe.” To anyone who has ever heard one of the Grateful Dead’s extended “drums and space” jams, this shouldn’t come as much of a surprise.

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Tonight, New York’s splendid Carnegie Hall will not only resound with beautiful music, it will glow with unearthly images.

A performance of the orchestral suite The Planets, by the English composer Gustav Holst, will be accompanied by a new video put together in cooperation with NASA’s Jet Propulsion Laboratory and featuring the latest high-definition planetary images. The suite contains seven movements that correspond to seven planets: Earth isn’t included, and the disputed planet Pluto hadn’t been discovered when Holst finished the piece in 1916. As for the images, they come from missions like the Mars rover explorations, the Cassini-Huygens investigations of Saturn, Galileo’s trip to Jupiter, and the epic Voyager 1 and 2 treks across the solar system.

Maestro Hans Graf of the Houston Symphony explains the origins of The Planets: An HD Odyssey in this video:

Ironically, Holst was inspired not by the astronomical wonders seen through a telescope, but rather by the astrological clap-trap of horoscopes and star signs. Still, as long as we get to swoop over panoramas of Mars in high-definition, we’ll forgive the composer his quirks.

Tickets here.

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Scholars debate why opera doesn’t seem to hold much appeal for modern audiences, but they’ve overlooked a glaringly obvious answer: The Zeiss Universarium astronomical projector isn’t involved. Or at least, it wasn’t, until now.

The Gotham Chamber Opera has set out to give the genre some geek awesomeness with its presentation of Haydn’s Il Mondo Della Luna (The World on the Moon) at the American Museum of Natural History’s Hayden Planetarium.

The opera follows the exploits of the love-stricken Ecclitico, who poses as an astronomer to impress Buonafede, the strict father of his beloved. Ecclitico and his two romance-minded accomplices, smitten with Buonafede’s other daughter and maidservant, use a sleeping potion to convince the gullible old man that he has been transported to the moon. There, Buonafede can no longer impede the young lovers’ relationships, and the lunar emperor (a servant in disguise, resplendent in imperial glowsticks) commands the three happy pairs to marry.

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Now we know what students do for fun over at Stanford University. If this video is to be believed, they wave their iPhones around while wearing speakers strapped to their hands. (Actually, the whole production seems kind of like using a weirding module, so maybe they’re onto something.) The speakers amplify the different sounds produced by various iPhone apps to create a glorious symphony, courtesy of the MoPho (Mobile Phone) Orchestra.

Some of the music apps are quite fun–like the one called the “Ocarina” that transforms your iPhone into a 12,000-year-old wind instrument (but with more apps). Check out the video below for a demonstration of both ancient music and modern compositions played on the iPhone, from Stanford’s Center for Computer Research in Music and Acoustics.

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