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	<title>Comments on: I Dare You&#8230;</title>
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	<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/</link>
	<description>Where science collides with life, slams into culture, crashes with politics, and gets totaled.</description>
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		<title>By: Ian</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31342</link>
		<dc:creator>Ian</dc:creator>
		<pubDate>Mon, 31 Aug 2009 09:39:31 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31342</guid>
		<description>I haven’t seen the movie for a while now, but I can remember that scene. For me, what made me smile was the gift itself, not the kisses.

Despite the censorship that was being exercised in that Italian town, the older man was keeping the clips of romance and had collated them. For the viewer the timing was right, he was older, supposedly wiser, and had lost his sense of romance. 

It’s the gift.</description>
		<content:encoded><![CDATA[<p>I haven’t seen the movie for a while now, but I can remember that scene. For me, what made me smile was the gift itself, not the kisses.</p>
<p>Despite the censorship that was being exercised in that Italian town, the older man was keeping the clips of romance and had collated them. For the viewer the timing was right, he was older, supposedly wiser, and had lost his sense of romance. </p>
<p>It’s the gift.</p>
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		<title>By: Erasmussimo</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31328</link>
		<dc:creator>Erasmussimo</dc:creator>
		<pubDate>Mon, 31 Aug 2009 01:39:55 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31328</guid>
		<description>I had the same reaction as Egaeus. Now I&#039;m worried that I must be sick or something. I&#039;m still trying to figure out what it was all about.

And no, I&#039;m not going to ask a question about why people are so fond of pressing lips together. I&#039;m not THAT far out...</description>
		<content:encoded><![CDATA[<p>I had the same reaction as Egaeus. Now I&#8217;m worried that I must be sick or something. I&#8217;m still trying to figure out what it was all about.</p>
<p>And no, I&#8217;m not going to ask a question about why people are so fond of pressing lips together. I&#8217;m not THAT far out&#8230;</p>
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		<title>By: Pascal Lapointe</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31327</link>
		<dc:creator>Pascal Lapointe</dc:creator>
		<pubDate>Mon, 31 Aug 2009 01:38:21 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31327</guid>
		<description>&lt;i&gt;Pete, Adam, and Pascal are all onto something, but there’s more going on in our bodies as well…&lt;/i&gt;


If the answer has something to do about the science of kissing, you are the expert, and I can not wait to read your thoughts. 

As for audio however, let me try to explain, with the best English I am able of, what I meant. Any video-sound editing, be it in movies, television or even the simplest Youtube productions, has the potential to elicit an emotional reaction: laugh, or tears. But the magic is in the mixing of the audio and the pictures: because the same pictures, without the music, would not have that emotional effect. 

In some cases, it takes the perfect choice of music to create that magic. But surprisingly, with some types of video products, many musics can elicit the same emotional feeling, and I am thinking here of sound-image editing that people can do on their PC with their travel pictures or family pictures. If you show to other people your travel pictures in sequence, it will be dull for a lot of them. If the same pictures are showed with a nice music editing, it suddenly gain an entirely new emotional value. 

Without any doubt, with Cinéma Paradiso, we are many, many steps ahead of this Youtube-kind-editing. But the basics are very similar.</description>
		<content:encoded><![CDATA[<p><i>Pete, Adam, and Pascal are all onto something, but there’s more going on in our bodies as well…</i></p>
<p>If the answer has something to do about the science of kissing, you are the expert, and I can not wait to read your thoughts. </p>
<p>As for audio however, let me try to explain, with the best English I am able of, what I meant. Any video-sound editing, be it in movies, television or even the simplest Youtube productions, has the potential to elicit an emotional reaction: laugh, or tears. But the magic is in the mixing of the audio and the pictures: because the same pictures, without the music, would not have that emotional effect. </p>
<p>In some cases, it takes the perfect choice of music to create that magic. But surprisingly, with some types of video products, many musics can elicit the same emotional feeling, and I am thinking here of sound-image editing that people can do on their PC with their travel pictures or family pictures. If you show to other people your travel pictures in sequence, it will be dull for a lot of them. If the same pictures are showed with a nice music editing, it suddenly gain an entirely new emotional value. </p>
<p>Without any doubt, with Cinéma Paradiso, we are many, many steps ahead of this Youtube-kind-editing. But the basics are very similar.</p>
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		<title>By: Mark F.</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31324</link>
		<dc:creator>Mark F.</dc:creator>
		<pubDate>Sun, 30 Aug 2009 22:46:24 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31324</guid>
		<description>Personally, I preferred the theatrical release of Cinema Paradiso.  It has a much greater emotional impact compared to the director&#039;s cut because of how the movie plays out with the missing material left out.  I&#039;ve always suggested that people see both versions, and to see the theatrical release first.

But that&#039;s just my opinion.</description>
		<content:encoded><![CDATA[<p>Personally, I preferred the theatrical release of Cinema Paradiso.  It has a much greater emotional impact compared to the director&#8217;s cut because of how the movie plays out with the missing material left out.  I&#8217;ve always suggested that people see both versions, and to see the theatrical release first.</p>
<p>But that&#8217;s just my opinion.</p>
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		<title>By: Allan</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31323</link>
		<dc:creator>Allan</dc:creator>
		<pubDate>Sun, 30 Aug 2009 21:52:31 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31323</guid>
		<description>I&#039;m not sure it takes a lot of science to figure out our attraction to these images.

I collect movie memorabilia, and the most common image on lobby cards, one-sheets, and stills, not to mention movie trailers, are scenes of a man and a woman kissing, about to kiss, or with their faces very close.

 I have dozens of these two-shots on lobby cards alone and it was no passing fad. The images persist from the beginning of film promotional materials until today.  Those sales merchants know we are attracted to romantic or sexual intimacy. They aim right for the driving forces that get people to the box office.

The movies allow us to be voyeurs and vicarious participants at the same time. The experience is immediate, yet evokes our own past experiences, especially in a compilation such as this, an effect enhanced by the music. 

But boiled down, the images speak to our need for love, romance, sex and intimacy.</description>
		<content:encoded><![CDATA[<p>I&#8217;m not sure it takes a lot of science to figure out our attraction to these images.</p>
<p>I collect movie memorabilia, and the most common image on lobby cards, one-sheets, and stills, not to mention movie trailers, are scenes of a man and a woman kissing, about to kiss, or with their faces very close.</p>
<p> I have dozens of these two-shots on lobby cards alone and it was no passing fad. The images persist from the beginning of film promotional materials until today.  Those sales merchants know we are attracted to romantic or sexual intimacy. They aim right for the driving forces that get people to the box office.</p>
<p>The movies allow us to be voyeurs and vicarious participants at the same time. The experience is immediate, yet evokes our own past experiences, especially in a compilation such as this, an effect enhanced by the music. </p>
<p>But boiled down, the images speak to our need for love, romance, sex and intimacy.</p>
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		<title>By: Sheril Kirshenbaum</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31316</link>
		<dc:creator>Sheril Kirshenbaum</dc:creator>
		<pubDate>Sun, 30 Aug 2009 19:24:59 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31316</guid>
		<description>I&#039;ve only seen the director&#039;s cut and when I heard what they removed, I was very surprised. Definitely opt for that if renting the film. CM and I agree this is the best kissing film of all time.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve only seen the director&#8217;s cut and when I heard what they removed, I was very surprised. Definitely opt for that if renting the film. CM and I agree this is the best kissing film of all time.</p>
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		<title>By: Mark F.</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31311</link>
		<dc:creator>Mark F.</dc:creator>
		<pubDate>Sun, 30 Aug 2009 19:02:02 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31311</guid>
		<description>Well if you ever watch this scene within the context of the whole movie, you&#039;ll more likely have a tear or two come to your eyes rather than a smile.  Cinema Paradiso is one of my all-time favorite movies.  I highly recommend it for those who&#039;ve never seen it.  If you have the time and/or inclination watch the original theatrical release and then watch the director&#039;s cut.  Yea, yea I know, director&#039;s cuts often are more hype than anything else, but in this case, big swaths of the original film were removed for the theatrical release.  When they are put back in, it COMPLETELY changes the arc of the movie.  It&#039;s the only time I&#039;ve seen a director&#039;s cut do that in a movie.</description>
		<content:encoded><![CDATA[<p>Well if you ever watch this scene within the context of the whole movie, you&#8217;ll more likely have a tear or two come to your eyes rather than a smile.  Cinema Paradiso is one of my all-time favorite movies.  I highly recommend it for those who&#8217;ve never seen it.  If you have the time and/or inclination watch the original theatrical release and then watch the director&#8217;s cut.  Yea, yea I know, director&#8217;s cuts often are more hype than anything else, but in this case, big swaths of the original film were removed for the theatrical release.  When they are put back in, it COMPLETELY changes the arc of the movie.  It&#8217;s the only time I&#8217;ve seen a director&#8217;s cut do that in a movie.</p>
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		<title>By: Benjamin S. Nelson</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31307</link>
		<dc:creator>Benjamin S. Nelson</dc:creator>
		<pubDate>Sun, 30 Aug 2009 18:37:35 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31307</guid>
		<description>I immediately stopped doing it once I realized what it might mean.

The only other possibility that seems introspectively plausible to me is what one might call &quot;emote-censoring&quot;, i.e., instinctively attempting to cover up facial expressions so as not to a) cause other people distress in conversation, and b) not embaress oneself by giving too much information away. (Is there a real word for this behavior besides the one I just made up?)</description>
		<content:encoded><![CDATA[<p>I immediately stopped doing it once I realized what it might mean.</p>
<p>The only other possibility that seems introspectively plausible to me is what one might call &#8220;emote-censoring&#8221;, i.e., instinctively attempting to cover up facial expressions so as not to a) cause other people distress in conversation, and b) not embaress oneself by giving too much information away. (Is there a real word for this behavior besides the one I just made up?)</p>
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		<title>By: Sheril Kirshenbaum</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31306</link>
		<dc:creator>Sheril Kirshenbaum</dc:creator>
		<pubDate>Sun, 30 Aug 2009 18:19:40 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31306</guid>
		<description>&lt;blockquote&gt;I noticed that at the start I inadvertantly was pressing my hand to my lips&lt;/blockquote&gt;
That&#039;s a very interesting observation. Could be by chance, but there certainly may be more involved...</description>
		<content:encoded><![CDATA[<blockquote><p>I noticed that at the start I inadvertantly was pressing my hand to my lips</p></blockquote>
<p>That&#8217;s a very interesting observation. Could be by chance, but there certainly may be more involved&#8230;</p>
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		<title>By: Benjamin S. Nelson</title>
		<link>http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31305</link>
		<dc:creator>Benjamin S. Nelson</dc:creator>
		<pubDate>Sun, 30 Aug 2009 16:55:58 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.discovermagazine.com/intersection/2009/08/30/i-dare-you/#comment-31305</guid>
		<description>I smiled at 1:38 because it pictured someone throwing a woman out of bed and that amused me.

Though I should confess that I noticed that at the start I inadvertantly was pressing my hand to my lips. Although that could have been to rest my head, it&#039;s also plausible that I was either mimicking the main actor of the film, or was surrogate kissing my own hand.</description>
		<content:encoded><![CDATA[<p>I smiled at 1:38 because it pictured someone throwing a woman out of bed and that amused me.</p>
<p>Though I should confess that I noticed that at the start I inadvertantly was pressing my hand to my lips. Although that could have been to rest my head, it&#8217;s also plausible that I was either mimicking the main actor of the film, or was surrogate kissing my own hand.</p>
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