We’ve just heard that we’re going back to Comic Con this summer, with a panel topic and line-up even bigger and better than last year’s event.
We are teaming up with Jennifer Ouellette and the crew at the Science and Entertainment Exchange to produce a panel on “MAD SCIENCE,” i.e. Science as a double-edged sword, ethically and morally neutral in and of itself, but dependent upon who wields it, and how.
Beloved Internet Personality Phil Plait is lined up to moderate (after he gets his tattoo) and we’re expecting guests from Eureka, Battlestar Galactica, Fringe, Stargate: Universe and more. Watch this space for additional details.
This week’s travel advice from Fringe: When picking up the ladies at night clubs, avoid the ones with scary blue eyes who don’t talk. They tend to have shockingly pointy teeth, and are likely to eat you. Or at least, parts of you that you might wish you had later. More on the nutritional content of your parts after the jump, which contains mucho spoilers.
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SciNoFi’s policy is that we use science fiction as a jumping off point to explore all the ways that entertainment mirrors and/or inspires real science.
As we’ve mentioned before, though, this is sometimes problematic when it comes to J.J. Abrams’s Fringe. Still, we try not to critique.
Besides, Polite Dissent does such a good job of it already. Head over to PD today for a recap of last night’s episode, including his ongoing homage to the Bulletin of Atomic Scientists.
By now, every sci-fi devotee and his grandmother has sounded off on Watchmen, Zack Snyder’s big-budget big-hoopla film version of the eponymous graphic novel. Love it or hate it (and most fans seemed to do one or the other) we can all admit that the movie remained faithful to the book, minus a few scenes and the absence of [spoiler alert] one giant alien squid.
We’ll leave the debates over the acting, direction, and overall adaptation to others (except to say that Jackie Earle Haley stole the show). But one aspect worthy of analysis is the story’s main conflict—the constant “looming” nuclear holocaust. Granted, we never actually see any evidence that the aforementioned holocaust is looming, save a few shots of Nixon upping Defcon levels—but we’ll address that later. When Alan Moore first published the book in 1986, the apocalypse on everyone’s mind was Cold War atomic bombs—which, as we’ve noted, no longer pack quite the same anxiety punch as, say, biological weapons. Today, gas masks and duct tape have replaced air raids and backyard shelters in the popular conscious, to the point where seeing mushroom clouds onscreen feels like you’re watching an ’80s homage.
Of course, none of this means that the nuclear threat is any smaller now than it was three decades ago: The danger of nuclear war is still present, and fear of missile attack still drives plenty of policy and military tech decisions worldwide. But, like Bird Flu, nukes seem to have a PR problem: Despite the fact that they could wipe us all out, the thought of them isn’t all that scary.
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Terrorism pops up all over science fiction, and last night’s episode of Eleventh Hour was no exception with terrorism featuring VX gas. The plot focused on a group of white converts to Islam (thank you, Hollywood, for reinforcing that stereotype. We’re all painfully aware of the dangers of lunatic jihadists, but let’s not become so fixated on that that we blind ourselves to the fact that as, say, Oklahama and Belfast demonstrated, terrorists can have sorts of religious faiths, including agnostic and Christian, while simultaneously tarring all Muslims with the same brush). The terrorists plan to take over a theater full of kids and hold them hostage. The weapon they intend to hold over their heads is VX nerve gas, more or less considered the deadliest chemical weapon in the world’s arsenals. It’s the same stuff Ed Harris was smuggling in The Rock, and one of the weapons Saddam Hussein used on the Kurds. VX gas is, by most experts’ account, the most deadly chemical weapon yet invented. It’s so potent that when the British invented it in 1952, the Americans were willing to trade away nuclear secrets to learn how to make it.
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Last night’s episode of Terminator: The Sarah Connor Chronicles centered on Skynet going after a non-Connor-clan target: an unborn child whose natural immunity would would one day provide a cure for a lethal bioweapon developed in the future. It would be easy to think that this would be overkill, even for Skynet — instead of going through all the trouble of sending a terminator back through time, why not just brew up a different bioweapon? The answer is that making militarily effective bioweapons is actually quite tough.
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