Progress is not guaranteed. Be it moral, technological, scientific, or social, there is no reason to assume human civilization marches forever forward in step with time. Understood this way, we can realize that progress is a choice and something we as a species will to happen through the concatenation of our decisions.
Or we can fail to choose, fail to act, and yet, that failure is itself a choice and an action from which consequences follow. There is a reason From Chance to Choice is one of the most essential texts on the bioethics of enhancement – it implies that our continued evolution will hinge upon our decision as to whether or not we want the ability to choose our evolutionary path. We must choose to have a choice.
To be specific, our current generation faces the very real possibility of being asked to decide if human enhancement via technological augmentation and genetic engineering is something we want to pursue. A question already moving beyond the abstract realm of bioethics and making its way into popular culture. Deus Ex: Human Revolution (hereafter DX:HR), prequel to the cyberpunk video game masterpiece Deus Ex, asks the player to take part in answering that question.
DX:HR is that rare video game that offers genuine choice. Some great games, like Mass Effect and Bioshock, allow (or famously disallow) certain choices that, in turn, reflect on the player’s moral compass. DX:HR gives the player the chance to fully explore his or her philosophy and guiding ethic regarding human enhancement and cybernetic augmentation. Choices in DX:HR don’t just ask, are you good or evil, but what do you believe?
Often, what makes a great piece of art is not the message it delivers, but the questions it demands we ask of ourselves. DX:HR, is not a great piece of art, but it aspires to be one. And in some places, it comes damn close by asking us: As humanity moves forward, what do we leave behind?
What follows is not a review but an exegesis of DX:HR and the trials of the main character, Adam Jensen. From behind his switch-blade sunglasses, we see that the future of the human race and of enhancement is not a yes or no question. Instead, we’re forced to face the bleak possibility that there is no right answer and no one to blame.
*Spoilers* from here on out. Read More
Whenever I hear that some awesome technology is “twenty years away” my eyebrow inadvertently raises with suspicion. Cold fusion, male birth control, flying cars, and the cure for most diseases are all twenty years away. Why? Because that’s the distance at which it’s genuinely impossible to extrapolate scientific advancement. So, when Will Rosellini, the CEO and President of MicroTransponder and consultant to the team developing Deus Ex: Human Revolution, told me that neuroprosthetic augmentation was about twenty years away, I was skeptical, but intrigued.
Guessing at which technologies will come to fruition requires the ability to determine how many intermediate technologies can reasonably be attained in a given amount of time. From there, one can extrapolate and make educated suppositions about when one could reasonably expect something like a life-like prosthetic arm would be possible.
Rosellini explained his process with DX:HR:
My job at Microtransponder in large part is writing near-term science fiction. I do this by combining all the failure modes from science, business, law etc…and then designing a research strategy to mitigate these risks and get new technologies into patients. With Deus Ex, I was given the task of explaining in a rigorous all of the player abilities in the game. To do this, I extrapolated where technologies would be moving in the next 20 years (to 2027, the start of the game). Most implantable neuroprosthetics take 10 years to get to market, so essentially I was forced to make 1 extra jump to foreseeable technologies.
So what are the background technologies that support this research? Are there any scary government projects with weird code names like MK-ULTRA and project ARTICHOKE that may give us some insight into where neuro-implants might be heading? You bet there are. Read on to learn about just how soon we can hope for retinal displays, neuro-integrated prosthetics, and mind-computer interfaces. Read More
Among gamers, Deus Ex is something of a legendary fusion of disparate gaming styles. Among science fiction buffs, Deus Ex is lauded for managing to take two awesome genres, William Gibson-esque cyberpunk and Robert Anton Wilson-level conspiracy theories, and jam them together into an immanentizing of the eschaton unlike anything you’ve seen since Doktor Sleepless. And among transhumanists, Deus Ex brought up every issue of humanity’s fusion with technology one could imagine. It is a rich video game.
So when Square Enix decided to pick up the reins from Eidos and create a new installment in the series, Deus Ex: Human Revolution (DX:HR), I was quite excited. The first indication DX:HR was not going to be a crummy exploitation of the original’s success (see: Deus Ex 2: Invisible War), was the teaser trailer, shown above. Normally, a teaser trailer is just music and a slow build to a logo or single image that lets you know the game is coming out. Instead, the development team decided to demonstrate that it was taking the philosophy of the game seriously.
What philosophy? you might ask. Why transhumanism, of course. Nick Bostrom, chair of the Future of Humanity Institute at Oxford, centers the birth of transhumanism in the Renaissance and the Age of the Enlightenment in his article “A History of Transhumanist Thought” [pdf]. The visuals of the teaser harken to Renaissance imagery (such as the Da Vinci style drawings) and the teaser ends with a Nietzschean quote “Who we are is but a stepping stone to what we can become.” Later trailers would reference Icarus and Daedalus (who also happened to be the names of AI constructs in the original game), addressing the all-too-common fear that by pursuing technology, we are pursuing our own destruction. This narrative thread has become the central point of conflict in DX:HR. Even its viral ad campaign has been told through two lenses: that of Sarif Industries, maker of prosthetic bodies that change lives, and that of Purity First, a protest group that opposes human augmentation. The question is: upon which part of our shared humanity do we step as we climb to greater heights?
When was the last time a video game asked you an existential question about the nature of our species? The tension between the proponents and opponents of transhumanism in DX:HR is heightened by the ambiguous opinion towards enhancement of the main character, Adam Jensen. Jensen’s own enhancements are a result of the need to save his life after a traumatic attack. Unlike Tony Stark, Jensen does not craft his own mechanized additions, but must instead come to terms with the cybernetic hand he has been dealt. DX:HR is not interested in cybernetics as merely a fun backdrop for a video game, but instead treats enhancement as the serious ethical issue that it is. The world of the game is set in a “Neo-Renaissance” where even the characters’ clothing reminds us that transhumanism is born out of the Age of Enlightenment. As a prequel to the original Deus Ex, DX:HR takes us into a world where augmentation and cyberization are still new to humanity and shows us how painful the transition into a transhuman future might be.
To dive deeper into these issues, I had a chat with Mary DeMarle, the lead writer for Deus Ex: Human Revolution, about how the ethics of enhancement and augmentation were considered when crafting the game’s story and characters.
The future is impossible to predict. But that’s not going to stop people from trying. We can at least pretend to know where it is we want humanity to go. We hope that laws we craft, the technologies we invent, our social habits and our ways of thinking are small forces that, when combined over time, move our species towards a better existence. The question is, How will we know if we are making progress?
As a movement philosophy, transhumanism and its proponents argue for a future of ageless bodies, transcendent experiences, and extraordinary minds. Not everyone supports every aspect of transhumanism, but you’d be amazed at how neatly current political struggles and technological progress point toward a transhuman future. Transhumanism isn’t just about cybernetics and robot bodies. Social and political progress must accompany the technological and biological advances for transhumanism to become a reality.
But how will we able to tell when the pieces finally do fall into place? I’ve been trying to answer that question ever since Tyler Cowen at Marginal Revolution was asked a while back by his readers: What are the exact conditions for counting “transhumanism” as having been attained? In an attempt to answer, I responded with what I saw as the three key indicators:
As I groped through the intellectual dark for these three points, it became clear that the precise technology and how it worked was unimportant. Instead, we need to figure out how technology may change our lives and our ways of living. Unlike the infamous jetpack, which defined the failed futurama of the 20th century, the 21st needs broader progress markers. Here are seven things to look for in the coming centuries that will let us know if transhumanism is here. Read More
Many of us have one or two political issues surrounding our bodies that get us fired up. Many of you reading this right now probably have some hot-button issue on your mind. Maybe it’s abortion, or recreational drug usage, or marriage rights, or surrogate pregnancy, or assisted suicide, or sex work, or voluntary amputation, or gender reassignment surgery.
For each of these issues, there are four words that define our belief about our rights, “My body, my choice.” How you react to those words determine which side of any of those debates you are on. That’s just the thing, though – there aren’t a bunch of little debates, there is just one big debate being argued on multiple fronts. All of these issues find their home in my field of philosophy: bioethics. And within the bioethics community, there is a small contingency that supports a person’s right to choose what to do with their body in every single one of those examples. Transhumanists make up part of that contingency.
If you are pro-choice on abortion or think that gender reassignment surgery is an option everyone should have, you agree with transhumanism on at least one issue. Many current political arguments are skirmishes and turf battles in what is a movement toward what one might call somatic rights. In some cases the law is clear, as it is with marriage rights or drug usage, and the arguments are over whether or not to remove, amend, or change the law. Other cases are so ambiguous that the law is struggling to define itself, as with surrogate pregnancy and voluntary amputation. And sooner or later (I’ve given up on guessing time-frames), instead of merely arguing over what we’re allowed to do with the body we’re born with, there will be debates about our rights to choose what kind of body we have. By looking at the futuristic ideas of genetic engineering and robotic prosthetic technology, we can understand how transhumanism maximizes the “my body, my choice” mantra.
Designers of prosthetics and artificial organs have for a long time tried to replicate the human body. From the earliest peg legs to some of the most modern robotic limbs, the prosthetic we make looks like the body part that needs replacing. Lose a hand? Dean Kamen’s DEKA arm, aka the “Luke arm,” is a robotic prosthesis that will let you grasp an egg or open a beer. The Luke arm is a cutting edge piece of technology based on a backward idea – let’s replace the thing that went missing by replicating it with metal and motors. Whether it’s an artificial leg or a glass eye, prostheses often seek to reproduce not only the function of the body part, but the form and feel as well.
There are good reasons to want to reproduce form and feel along with function. The first reason is that our original bits and pieces work quite well. The human body as a whole is a natural marvel, let alone the immense complexity and dexterity of our hands, eyes, hearts, and legs. No need to reinvent the wheel, just replicate the natural model you’ve been given. The second, less obvious reason, is that we as a society have been and remain deeply uncomfortable with amputees and prosthetics. Many people don’t know what to do when faced with an artificial arm or leg. I wish it were different, but it largely isn’t. So prostheses are designed to look like whatever it is they replicate to hide the fact that the arm or leg or eye isn’t biological.
That methodology is being challenged by a few recent innovations: Össur’s now famous Cheetah blades, Kaylene Kau‘s tentacle arm, and the artificial heart with no heartbeat. These new prostheses and artificial organs are a result of approaching the problem by asking “What does this piece allow us to do?” not “How do we build an artificial one?” The implications for how humans will view themselves in the coming decades are monumental. Read More
Do you ever worry that Steve Rogers (aka Captain America) wasn’t really giving informed consent when he agreed to become enhanced? Or are curious as to why someone might choose a bionic hand over a real one? The awesome Maggie Koerth-Baker of boingboing.net and I had some of the same questions. We chat about the ethics of superheroes and our perception of science in this week’s Science Saturday on bloggingheads.tv. Enjoy!
Deus Ex 3: Human Revolution is a cyberpunk video game coming out later this year. I, for one, am pretty excited. Set in the near future the game is a prequel to the original Deus Ex. For those of you who aren’t video game fanatics, the first Deus Ex is a cyberpunk conspiracy thriller that follows around a transhuman protagonist, JC Denton, as he tries to keep the world from spiraling into Armageddon. Robots, A.I., genetically modified animals, and cyborgs aplenty help and hinder him. Denton himself has several nano-augmentations that give him superhuman abilities (e.g. cloaking, super-strength). Deus Ex 3 explores the rise of general cybernetic augmentation and the corporate espionage that accompanies it. As part of the viral ad campaign you can access the website for Sarif Industries, the leading manufacturer of cybernetic prosthetics. I love the boilerplate:
No one should ever have to give up a normal life because of a random incident, or indeed, lose a dream over a physical limitation. So believes David Sarif, idealist, philanthropist, founder and CEO of Sarif Industries. Pursuing his belief, Mr. Sarif acquired a failing Detroit auto factory in 2007 and repurposed it for the automated manufacture of prosthetics.
The weirdness of the site comes from its nearness to reality. There are links for the stock price and pictures of the interior of the main headquarters. There is even an ethics statement!
A standout piece is the ad for Sarif’s products (cyber hands, eyes, and arms), which seemed like a perfect pastiche of every pharmaceutical ad I’ve seen in the past year: testimonials by attractive people in bright lighting engaging in their favorite cultural or outdoor activities, like rock climbing and football throwing (though mercifully not through a tire wing). Also interesting is the news feed which features headlines I had to research a bit to see they aren’t quite true. The “road to here” also provides a strange alt-history of augmentation and prosthetics that gives you the feeling this all might just be right around the corner. The site’s slickness and dedication to near-reality makes it an eerie predictor of what a future prosthetics company may actually look like.
Image via Sarif Industries
Imagine you know everything on Wikipedia, in the Oxford English Dictionary, and the contents of every book in digital form. When someone asks you what you did twenty years ago, on demand you recall with perfect accuracy every sensation and thought from that moment. Sifting and parsing all of this information is effortless and unconscious. Any fact, instant of time, skill, technique, or data point that you’ve experienced or can access on the internet is in your mind.
Cybernetic brains might make that possible. As computing power and storage continue to plod along their 18-month doubling cycle, there is no reason to believe we won’t at least have cybernetic sub-brains within the coming century. We already offload a tremendous amount of information and communication to our computers and smartphones. Why not make the process more integrated? Of course, what I’m engaging in right now is rampant speculation. But a neuro-computer interface is a possibility. More than that: cyber-brains may be necessary. Read More
Science fiction knows how to play around with sex and gender. The free-lovin’ of A Stranger in A Strange Land, Commander Shepard’s bisexual proclivities, and William T. Riker’s seemingly universal interspecies compatibility are constant sources of entertainment.
And the fun doesn’t stop with organic entities. Androids, cyborgs, and robots make gender all the stranger. Why is Data fully functional? Isn’t it curious that, of all the characters in Ghost in the Shell the two most heavily cyberized characters, Motoko and Batou, are hyper-feminine and hyper-masculine respectively? And, my favorite: as a robot Bender has no gender, so if Bender bends his gender, what gender does Bender bend?
Sci-fi sex is fun to talk about, of course, but how can all of that help us understand the actual future of humanity? Simply put: we imagine what we hope to see. So the question is: what is it we imagine and hope for? An utter free-for-all of alien-cyborg-A.I. bacchanalia? I don’t think so. Instead, sci-fi is teaching the diversity of our own human sexuality back to us. Read More