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The rebooted Doctor Who just keeps going from strength to strength. (If you’ve managed to avoid seeing a single episode of Doctor Who since it started airing in 1963, the show features an enigmatic time traveller, the Doctor, who foils various nefarious schemes, usually with the aid of at least one companion.) Since being revived in 2005, the show has already cycled through a number of major cast changes, with two incarnations of the Doctor and three primary companions. Each combination of Doctor and companion usually produces a very different chemistry, and Season Four is no exception, with David Tennant playing the role of the Doctor and Catherine Tate playing Donna Noble.

Donna and the Doctor’s relationship is like that between adult siblings or very old friends, and it’s a nice change of pace from the romantic overtones that played out with the previous two companions. The dynamic is enhanced by the fact that Tate/Noble is older than the typical early-twenty-something female companion, and so perhaps a little less susceptible to looking at the adventurous Doctor with a starry-eyed gaze. Donna is perfectly willing cut the Doctor down to size if she thinks he’s getting a little too pleased with himself. This leads to some of the most memorable exchanges of the show to date, and Tate plays the part with impeccable comic timing and gusto. Tennant is, well, still the best Doctor ever (with Tom Baker in a more than honorable second place.)

The Doctor and Donna’s friendship plays out across a season of ambitious stories. The fall of Pompeii, a factory of alien slaves, a library the size of a planet that plays host to some of the scariest monsters ever, and the intensely claustrophobic confines of a damaged shuttle all form the background to some thrilling (and sometimes genuinely moving) plots. The season builds to a no-holds-barred climax which acts as a reunion show of sorts: A group of the Doctor’s former companions (including Torchwood’s Captain Jack and Sarah Jane Smith) band together to stop a dark threat from the past. Some Who watchers objected to the second half of the finale, feeling that the conclusion tried too hard to make fans happy in some respects. But I think the show stayed true to the darker and more ambiguous nature of the show, with an ending that really packed a punch.

The DVD’s also include the standalone 2006 Christmas Special, in which the Doctor teams up with Astrid Peth, played by none other than Kylie Minogue. (The real scene stealers are The Hosts, angelic robot concierges that go very, very bad.) There’s also a set of making-of features, one for each episode, deleted scenes (including a slightly, but significantly, alternate ending to the Season Four finale), and a bunch of other extras. If you decide to only ever own one season of Doctor Who, make it this one.

Last night’s Sexual Tension episode of Knight Rider seemed to be all about spying: Computer techs Billy and Zoe spyied on Mike Traceur and Sarah Graiman while they were “sparring”, Sarah and Mike spied on the bad guys with tiny cameras, and of course, everyone spied on each other with sidelong, furtive looks. It was just that kind of episode.

But let’s focus (pun intended) on the tiny cameras. Sarah and Mike had a needle-in-a-haystack problem. The bad guys’ target was a factory that produces a key oil refining part. Our heroes had to locate the evil-doers on a production floor swarming with white coated technicians. They solved the problem with some of the snazziest ID badges ever created. Each badge held a tiny  camera, which then broadcast video in real time back to KITT. The super car’s more powerful computers separated the faces from the rest of the image and compared them to an NSA face database to locate the villains. The whole device is preposterous, right?

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Last night’s episode of Eleventh Hour was pretty straightforward: some smallpox germs escape from the private storage spot of a virologist whose doing some research on the side. Call him a mad scientist, if you like, but he felt really bad about his crime at the end, so he commits suicide by drinking a vial of his own super germs. Ick.

Anyway, one of the keys to the drama of the episode was the question of just how fast smallpox would spread from person to person, and whether Jacob Hood, our intrepid scientist, and Rachel young, his compadre and handler, could stop the disease from spreading. It’s not easy, because smallpox can be transmitted over the air, just by breathing within six feet of a victim. Contagion is even more likely if you touch the victim or for  some reason exchange fluids. Alas, Young tries to capture a possible suspect by chasing him into the street where he promptly gets hit by a car. Young goes to check on him and gets blood all over herself. Straight to the containment area for her!

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The writers of Knight Rider love us. Better yet, they are us. In last night’s Halloween episode, Zoe showed up in a Claire Bennet costume (Heroes‘ famed cheerleader), and Billy comes dressed as Capt. Jack Harkness of Dr. Who and Torchwood fame. We also got some love from the producers with the initiation of a multi-episode story arc (perhaps a product of the fact that Knight Rider has been picked up for the full season).

Around half way through the episode we learn that KITT has been programmed with a self-destruct mechanism by his creator, Dr. Charles Graiman, so there would be a failsafe against KITT going bad. Graiman is familiar with cyborgs gone wild, because he made a KITT prototype named KARR (who is not, as it happens, a car) with the capability to self-program. KARR’s evolution as a learning machine apparently led him to cause the deaths of seven people, though we don’t know how, exactly.

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The British sci-fi series, Primeval, features a small team who have the job of capturing dinosaurs and other creatures who wander through rips, or “anomalies,” in the time-space continuum.The DVD of the first season that we reviewed yesterday is out today, and the nice folks at BBC America gave us the opportunity to pose a question to the cast about the show. Here, Andrew-Lee Potts, who plays Connor Temple, the show’s resident geek, answers our question about what creature he’d most like to see make an appearance on the show.

Just finishing its first season on BBC America is Primeval, a british sci-fi adventure series that shows how monster-of-the-week is really done.

In recent years, science fiction and fantasy shows have generally tried to steer away from plotlines that involve creatures appearing, then terrifying and/or eating bystanders, and then being dispatched at the end of the episode once the cast has figured out the creatures’ main weakness. This plot formula is only for the start of season one, the thinking goes, when audiences need self-contained stories to introduce them to the cast and the show’s milieu. The real meat happens later, as multi-episode arcs and more complex character development are brought in, and monster-of-the-week episodes, with their limited formula, go to the bottom of the story pitch pile. Primeval explodes this thinking by having a show built firmly around the monster-of-the-week device, while still advancing engaging season-length arcs and furthering clever character development.

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I almost laughed out loud at the start of last night’s episode of Knight Rider. Mike Traceur sat in KITT’s driver’s seat, reading a dossier, and watching football as he cruised down some scenic highway—and why not, when he’s got a car that can drive itself. Which is when it hit me: I’ve been writing about Knight Rider for weeks without looking into where we are on the whole self-driving car thing! I mean, a car that drives itself has to come before a talking car in the pantheon of useful technology, right?

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As noted over on 80 Beats, scientists using the Spitzer space telescope have found strong evidence that Epsilon Eridani has a solar system not unlike our own, with rocky planets orbiting in the inner solar system and gas giants orbiting further out.

Science fiction writers must have breathed a collective sigh of relief, as Epsilon Eridani has been used in countless novels, short stories, TV shows, and movies as the location of more-or-less Earth like planets. Nothing dates a science fiction story like the cold hand of reality, such as when Mars was revealed to be a cratered desert with not a canal in sight, or when the clouds of Venus were shown to be concealing a lethal landscape of shattered rock, rather than lush jungle swamps.

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Maybe it was the success of The Matrix, or maybe it was the age of the Internet that did it, but in the last 10 years, it’s no longer flying cars or fast-talking robots that symbolize the world of the future. No, these days it’s the ability to almost touch piles of data that has become the sine qua non of quality futuristic imaginings.  Case in point, Minority Report. The high point of that film (for me, anyway) had to be when Tom Cruise dons his info gloves and commences a magnificent danse du data, shuffling through the visions of the precogs accompanied by the strains of Schubert’s Unfinished Symphony. Down here in small screen land, Knight Rider’s writers make data manipulation a staple of the show.

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On Friday’s episode of Sanctuary, Magnus and her team were faced with tracking down a thief with the ability to squeeze into the narrowest of spaces. Suspicious of a pipe that may have been used to make a getaway, our intrepid heroes break out a ROV — remotely operated vehicle — to peer where they can not.

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Ah, the beach episode, a classic of the 1980s crime fighter genre, brought to vivid life in last night’s episode of Knight Rider, when Mike Traceur must infiltrate a band of (what else?) surfing mercenaries to locate a missing secret agent. Fortunately, an episode on the beach creates a perfect opportunity to bust out what has to be one of the coolest, if not always the most useful, things a super car can do, which is go into submarine mode. In last night’s episode a rocket actually blasted KITT off a cliff and into the water. Kitt’s shielding protected Traceur and this week’s sidekick, Zoe Chae, and he made a mid-air transformation to Aqua-KITT. Safe below the waves, Traceur and Chae pondered their next course of action.The episode got me wondering: Could we actually build a submarine car? As you can see from the video clip (skip ahead to 2:35 in the video): yes.

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For all the giant exploding Death Stars in SciFi, its really the mundane devices that stay with us for years after. Doctor Who’s sonic screwdriver, Picard’s replicator, and Spock’s tricorder have at least as much resonance for us as any gigantic space laser that ever turned a plot. In Knight Rider, our resident crime fighters rely pretty heavily on KITT’s ability to find people. He accesses a government database — usually the DMV — and then connects to various surveillance cameras in the area (Knight Rider crooks do tend to like Vegas casinos). The ability to access closed-circuit cameras aside, what’s really amazing here is KITT’s ability to digitally match photos to a moving image. For modern law enforcement and software search companies, that’s something of a holy grail.

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Last night CBS premiered it’s new science-fiction detective show, Eleventh Hour, which revolves around a scientist investigating misuses of science, accompanied by his FBI minder. The first episode focused on human cloning and the show deserves big kudos for wringing out a fresh take from what has become a very hackneyed topic in science fiction. The writer and producers managed this feat by actually sticking close to today’s science: most stories that incorporate reproductive cloning introduce a successfully created clone (whether a child or an adult) and go from there. The messy details of actually creating a clone are glossed over, or not mentioned at all. Not so on Eleventh Hour.

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The DVD box set of the first season of The Sarah Jane Adventures was released this week. A spin-off from Doctor Who, the show was developed for the BBC’s children’s channel, CBBC, and features a band of teenagers teaming up with former traveling Companion of the Doctor, Sarah Jane Smith, to defeat various alien threats (which is also the basic formula for the much more adult Doctor Who spin-off Torchwood.) Sarah Jane Smith first appeared in 1973, and she is one of the most beloved characters in the Doctor Who universe, played by Elisabeth Sladen (you can read yesterday’s Science Not Fiction interview with Sladen here).

So, what are The Sarah Jane Adventures like?

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Sarah Jane Smith is one of the most enduring figures in the Doctor Who universe, appearing as a regular companion to two incarnations of the Doctor (Jon Pertee’s third Doctor and Tom Baker’s fourth Doctor) between 1973 and ‘76 and occasionally popping up ever since. The character currently has her own spin-off show, The Sarah Jane Adventures that is nominally intended for children. BBC America has just released the first season of The Sarah Jane Adventures on DVD (look for Science Not Fiction’s review tomorrow), and so I got to talk to the woman behind Sarah Jane, actress Elisabeth Sladen, about playing such a popular character and other things Who.

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