A major argument against human enhancement is that most enhancements won’t be beneficial if everyone is enhanced. Being tall, for example, is only beneficial if you’re taller than most other people. In terms of competitive advantage, nearly any enhancement you look at fails the zero-sum test. Better, stronger muscles? Too bad, everyone else has those, so you won’t be an athletic super-star. Wiz-bang intelligence? Big deal, MIT just ups their entrance exam to compensate so only the most brilliant among a population of geniuses gets in. If all boats rise, you don’t benefit, right?
An excellent example of this mindset can be found in The Incredibles. My love of Pixar is not a mystery to anyone. However, one of the lines that bothers me most in any of their films is Syndrome’s motivating thesis in The Incredibles. Syndrome (Buddy Pine) is a once-in-a-generation genius who, born without superpowers like those of ElastiGirl and Mr. Incredible, builds technology that enables him to be superhuman. In short, Syndrome is what would happen if Tony Stark had been bullied as a kid and told by Captain America to let the big boys take care of everything.
When “monologuing” (the meta humor in the movie is fantastic), Syndrome betrays the kernel of his motivation to be a super villain. His goal is to neutralize those with superpowers (aka “supers”) so that when his robot attacks the city, he can be the sole savior. After being crowned a hero when the supers fail, he will sell his own gizmos and gadgets — rocket boots and zero-point energy among other things — to anyone who wants them. Thereby, he will give every person the opportunity to be super. And, by his logic, “When everyone is super, then no one will be.”
We can apply Syndrome’s concept to cognitive enhancement. That is, “When everyone is gifted and talented, no one will be.” Buddy, you are mistaken. Ender’s Game explains why. Read More
I love Pixar. Who doesn’t? The stories are magnificently crafted, the characters are rich, hilarious, and unique, and the images are lovingly rendered. Without fail, John Ratzenberger’s iconic voice makes a cameo in some boisterous character. Even if you haven’t seen every film they’ve made (I refuse to watch Cars or its preposterous sequel), there is a consistency and quality to Pixar’s productions that is hard to deny.
Popular culture is often dismissed as empty “popcorn” fare. Animated films find themselves doubly-dismissed as “for the kids” and therefore nothing to take too seriously. Pixar has shattered those expectations by producing commercially successful cinematic art about the fishes in our fish tanks and the bugs in our backyards. Pixar films contain a complex, nuanced, philosophical and political essence that, when viewed across the company’s complete corpus, begins to emerge with some clarity.
Buried within that constant and complex goodness is a hidden message.
Now, this is not your standard “Disney movies hide double-entendres and sex imagery in every film” hidden message. “So,” you ask, incredulous, “What could one of the most beloved and respected teams of filmmakers in our generation possibly be hiding from us?” Before you dismiss my claim, consider what is at stake. Hundreds of millions of people have watched Pixar films. Many of those watchers are children who are forming their understanding of the world. The way in which an entire generation sees life and reality is being shaped, in part, by Pixar.
What if I told you they were preparing us for the future? What if I told you Pixar’s films will affect how we define the rights of millions, perhaps billions, in the coming century? Only by analyzing the collection as a whole can we see the subliminal concept being drilled into our collective mind. I have uncovered the skeleton key deciphering the hidden message contained within the Pixar canon. Let’s unlock it. Read More