We are teaming up with Jennifer Ouellette and the crew at the Science and Entertainment Exchange to produce a panel on “MAD SCIENCE,” i.e. Science as a double-edged sword, ethically and morally neutral in and of itself, but dependent upon who wields it, and how.
Beloved Internet Personality Phil Plait is lined up to moderate (after he gets his tattoo) and we’re expecting guests from Eureka, Battlestar Galactica, Fringe, Stargate: Universe and more. Watch this space for additional details.
Amanda Tapping is tall, which was a surprise to me, even though I’ve been watching her performance as Samantha Carter on the Stargate franchise for years. I suspect the kind of framing that has enabled Tom Cruise to gaze down at his various female leads. I got the chance to discover the truth about Tapping’s height last night at a preview screening for her new show, Sanctuary, which airs tonight at 9/8c on the Sci Fi channel.
Space Opera is one of my favorite sub-genres of science fiction, and in recent years has gained a new lease of life (I recommend reading The New Space Opera anthology for good snapshot of the current state of affairs). Like all definitions, saying what exactly is and isn’t space opera can be a highly subjective exercise, but for me, works of space opera all try for a certain grand sweep: the canvas is broad, often involving a good chunk of at least one galaxy. The themes are big–space opera is where entire space-faring civilizations can collide–and awesome technologies are frequently brought into play.