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Visual Science

Architecture for Religion for Atheists

<p>Who better to illustrate the audacious new world envisioned by philosopher and author Alain de Botton, in his recent book "<a href="http://pantheon.knopfdoubleday.com/2012/03/06/religion-for-atheists-by-alain-de-botton/" target="_blank">Religion for Atheists</a>: A Non-believer’s Guide to the Uses of Religion," than an architect? Mr. de Botton discovered architect Thomas Greenall at his graduate exhibit at the Royal College of Art, and commissioned him to create images to accompany the book. <br /><br />The detailed plans include giant monitors in public squares showing images from the Hubble telescope, to remind us of our place in the universe, billboards to remind us of the importance of forgiveness, university departments dedicated to human relationships offering classes in facing illness, being alone and reconnecting with nature. Scaled renderings depict the Temple to Perspective, which shows the age of the earth in geological time, and "psychotherapeutic" travel agents that would pick a destination for you based on your psychological profile. Mr. Greenall:<br /><br /></p>
<blockquote>
<div>"I think that many of the themes that I had begun to consider resonated with the way that Alain was thinking about his book. I felt that the primary ambition of the book was to investigate whether a secular society could learn some lessons from religious texts and from theist practice in order to achieve social cohesion. Working with Alain allowed me to build upon the work that I had already begun, and to develop the thinking in much more rigorous ways. Whilst the resultant designs were expressed purely as collaged images for use in the book, the projects were considered in a surprising level of detail."</div>
</blockquote>
<p>Thomas Greenall has a vision of his own, a world where architecture is responsive to human experience in all its complexities, including our needs and fragilities. To do that, he says, "I would advocate a critical approach to design and I feel that this can ensure that architects actually serve the end user, rather than becoming complicit in the profit making agendas of developers and corporates." This is a world where buildings are created with emotional requirements in mind, not only codes and regulations. "I strongly believe that - if the profession is to retain credibility - there is a place for this way of thinking in the future. Architects need to be able to imagine new ways of living, rather than just new tectonics." Architecture would be more reactive, to keep up with the rapid changes in science and technology.<br /><br />All images courtesy <a href="http://www.tomgreenall.co.uk/project.php?sel=7" target="_blank">Thomas Greenall</a><br /><br /><strong>An <a href="http://en.wikipedia.org/wiki/Agape" target="_blank">Agape</a> Restaurant. </strong>A secular descendant of the Eucharist and the tradition of Christian communal dining. <br /><br /></p><strong>Department of Relationships.</strong> "A university alive to the true responsibilities of cultural artefacts within a secular age would establish a Department for Relationships, an Institute of Dying and a Centre for Self-Knowledge." -Alain de Botton<br /><br /><strong>Constellation Pool</strong>. "A room larger than the Tate Modern's turbine hall, filled with a dark, oily liquid to amplify the perceived size of the space. A scaled version of the solar system is represented with "planets" semi-submerged in the liquid. The only light is provided by the floating globes and thousands of tiny LED lights which mark out star constellations and the orbits of planets."  -Thomas Greenall<br /><br /><br /><strong>Therapeutic travel. </strong>A psychotherapeutic travel agent would align mental disorders with the parts of the planet best able to alleviate them.<br /><br /><strong>Billboard.</strong> An example of ethical advertising.<br /><br />
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April 13th, 2012 Tags: Alain de Botton, Thomas Greenall
by Coherence Bar in Ideas, Life and Death, The Future, Top Posts | 5 Comments »

Skeletons in the Closet Get Their Star Turn

The Mütter Museum's storied collections have attracted many photographers and artists--<a href="http://www.andreabaldeck.com/" target="_blank">Andrea Baldeck</a> is one photographer whose perspective includes a background in medicine. Baldeck left the operating room for the darkroom over 20 years ago, and eventually gained the privilege of access behind the scenes at the museum, in locked rooms with a treasure trove of artifacts. The book, <em><a href="http://bonesbooksbelljars.com/book.htm" target="_blank">Bones, Books &amp; Bell Jars</a></em>, published in March, and a companion exhibit at the Mütter Museum are the result of Baldeck's cabinet-opening among the 19th century pathological specimens, instruments, and illustrated textbooks. Baldeck, describing tools found in the museum’s mobile storage room, says, “Some speak of a time before the germ theory of disease and asepsis, when elegant tools might be casually wiped clean and replaced in velvet-lined boxes, awaiting use on the next patient, like the field kit of a Civil War surgeon...” <br /><br />Part of the College of Physicians of Philadelphia, the Mütter Museum began with Dr. Thomas Dent Mütter, a former student at University of Pennsylvania’s medical school. Dr. Mütter's disappointment with American teaching techniques, where students were not allowed to work with patients or assist with surgical procedures, drove him to Paris to receive hands-on training. After returning, he assembled the collection and offered it to the college with an endowment and stipulated that the college had to hire a curator, maintain and expand the collection, fund annual lectures and erect a brick building to house the collection.<strong><br /><br />Placenta in situ with extraction tools and scissors.<br /><br /></strong><strong>Wax models (<em>moulages</em>) of skin eruptions.<br /><br /></strong><strong>Early otoscope, ear syringes, and textbooks of otorhinolaryngology.<br /><br /></strong><strong>Fetal skeleton in bell jar<br /><br /></strong><p class="MsoNormal"><span style="font-family: Tahoma;"><strong>Fractured skull, articulated arm and hand, anatomy text (<em>Vesalius</em>).</strong></span></p>
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April 4th, 2012 Tags: death, Mutter Museum, specimens
by Coherence Bar in Behind the Scenes, medicine, Top Posts | No Comments »

Alive and Glowing

Creatures of Light: Nature's Bioluminescence, opens March 31st at the American Museum of Natural History in New York City. Visitors can explore all things glowing--from the familiar firefly to the fantastical fish of the deep. The lure of the firefly--its ability to generate light so rare in plants and animals that live on land--was not lost on Japanese photographer <a href="http://digitalphoto.cocolog-nifty.com/digitalphoto/cat4164851/index.html" target="_blank">Tsuneaki Hiramatsu</a>, who spent hours making long exposures of the insects in the woods and along a river near Okayama City. <br /><br />What looks like ethereal enchantment is actually a down-and-dirty, species-specific mating dance, with the females holding out for males with just the right flash power. Hiramatsu's images of the bugs are already a viral sensation online, but recently the AMNH also took notice, requesting to use the images in relation to the exhibit. <a href="http://www.amnh.org/calendar/event/Creatures-of-Light:-Nature%27s-Bioluminescence/" target="_blank">Creatures of Light</a> will run through January 2013.<br /><br /><br /><strong>Fireflies, near Okayama.</strong> Combined slow–shutter speed photos produced this image of firefly signals. © Tsuneaki Hiramatsu/<a href="http://digitalphoto.cocolog-nifty.com" target="blank">digitalphoto.cocolog-nifty.com</a><br /><br /><br /><strong>Bitter oyster mushroom.</strong> <em>Panellus stipticus</em> are bioluminescent mushrooms that grow on decaying wood in the forests of eastern North America. © AMNH\J. Sparks<br /><br /><br /><strong>Live dinoflagellates. </strong><em>Pyrocystis fusiformis</em> is a spindle-shaped cell just large enough to be seen without a microscope. Tiny particles in each cell called scintillons contain chemicals that mix and make light when the water is shaken or stirred. ©AMNH\D. Finnin<br /><br /><br /><strong>Anomalops, also known as the flashlight fish. </strong>An organ beneath each eye is filled with light-producing bacteria. AMNH<br /><br /><br /><strong>Mosaic photograph of green fluorescent proteins.</strong> These living corals were photographed in Bloody Bay Marine Park on Little Cayman Island. Narrow-band blue light is used to illuminate the corals and excite the fluorescent proteins that give off green light of their own in return. © Jim Hellemn, <a href="http://portraitofacoralreef.com/">portraitofacoralreef.com<br /></a><br /><br /><br />
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March 30th, 2012 Tags: AMNH, bioluminescence
by Coherence Bar in Environment, Top Posts | 2 Comments »

Patterns of Paper Pollution

Photographer J. Henry Fair has covered important environmental stories for Discover, from pork farms to toxic fertilizer byproducts. In January, powerHouse Books will be releasing Fair’s book The Day After Tomorrow: Images of Our Earth in Crisis, which includes essays from James Hansen, Allen Hershkowitz, and Frances May. Fair writes:

“Tremendous research has gone into understanding what is seen in these images. Information was gathered from numerous sources: newspapers, websites, the EPA (Environmental Protection Agency), EIA (Energy Information Agency), environmental groups, satellite images, and other sources within and outside of government. However, even these attempts at exposing the problem at hand can sometimes fall short. Due to exemptions granted to powerful industries, some of the most egregious industrial scars are “off the record.” The notorious Bevill Amendment to the RCRA (Resource Conservation and Recovery Act) is particularly damaging. For instance, the uranium content of phosphate fertilizer waste is well known, but due to RCRA exemptions, appears nowhere “on the record,” and thus the industry escapes the expense of proper handling. Also, one can only photograph what can be seen; often the most dangerous pollutants are invisible.”

Above is an image from the book showing a waste from a paper products factory in Baton Rouge, Louisiana—aerators have created a pattern in foam on the surface of the pool. This image was one that Fair made during his initial investigation of industrial regions around the Mississippi from the air. Fair often researches a topic extensively, and identifies locations using Google Earth before traveling and hiring a local pilot.

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January 14th, 2011 by Rebecca Horne in Behind the Scenes, Environment | 2 Comments »

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      Visual Science showcases most striking and surprising images at the overlap of science and art.

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